
Mary Nimmo Moran
- American, born Scotland 1842–1899
Mary Nimmo Moran was one of many artists in the Moran family. In 1860, she studied drawing and painting with her neighbor and then art teacher at the Pennsylvania Academy of Fine Arts, Thomas Moran. They married two years later, and the family moved from Philadelphia to Newark in 1872. While her husband achieved fame for his paintings of the western United States, Nimmo Moran painted the landscape around her, as her responsibilities to her growing family allowed her to travel only occasionally. In 1879, when her husband took another trip to the West, he left her several prepared etching plates so that she could experiment while he was away. Working directly from nature, Nimmo Moran etched scenes of landscapes in New Jersey, Pennsylvania, and Long Island. Her prints garnered her great success and critical acclaim, and were collected by such figures as John Ruskin, who stated of one of them, “This is the best drawing of moving water ever seen in an etching!” She was a member of painting and etching societies in the United States, and for many years the only woman member of the Royal Society of Painters and Etchers in London; she was elected to the Society without other members’ knowledge of her gender, and a critic from the London Daily News praised her work for its masculine qualities. After visiting East Hampton for several summers, she and her husband moved there in 1884. He designed and built a house and studio at 229 Main Street, overlooking Goose Pond. They had easy access to Hook Pond, where they kept a gondola, a souvenir from Thomas’ 1890 trip to Venice. The landscape of the East End inspired both Mary and Thomas, and they became well-known through their works that depicted the scenery there. Their move to East Hampton was crucial in establishing an artists’ colony there, as many colleagues visited, and the Moran house was a cultural and intellectual center. Mary Nimmo Moran died of typhoid fever in 1899, after nursing a daughter through the disease, and was buried near Goose Pond.
[Jennifer Kruglinski]
Additional Research
Related Artwork
- 'Tween the Gloaming and the Mirk, 1883
- 'Where Through the Willows Creaking Loud, Is Heard the Busy Mill, 1886
- Castle, 1892
- Castle View, 1893
- Castle Wall, 1892
- Easthampton Barrens, 1879
- Evening-Easthampton, 1881
- Georgica Pond -- Looking Seaward, 1885
- Home Sweet Home, 1885
- Landscape (Lane Near Fontainebleau) (after Diaz), 1886
- Point Isabel, Florida (The Coast of Florida), 1887
- Rocks and Fence, 1892
- Solitude, 1880
- Summer, Suffolk County New York, 1884
- The Bathers (after Thomas Moran), 1886
- The Edge of the Forest (In the Woods, Georgica Pond, Lond Island) (after Thomas Moran), 1886
- The Goose Pond, Easthampton, 1881
- The Haunt of the Muskrat (Swamp Grasses - Easthampton), 1884
- Twilight, 1880
- Twilight-Small Plate, 1880
- Wooded Landscape (after Thomas Moran), 1886
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Related Objects
-

- 'Tween the Gloaming and the Mirk, 1883
- Etching
- 15 x 19 3/4 inches
- 1976.1.54
The Parrish Art Museum, Southampton, NY, Gift of Robert Dunnigan, Dunnigan Collection
-

- 'Where Through the Willows Creaking Loud, Is Heard the Busy Mill, 1886
- Etching
- Plate: 24 3/4 x 32 5/8 inches; Sheet: 25 9/16 x 37 3/8 inches
- 1976.1.56
The Parrish Art Museum, Southampton, NY, Gift of Robert Dunnigan, Dunnigan Collection
-

- Castle, 1892
- Drawing
- 9 7/8 x 12 7/8 inches
- 1961.3.256
The Parrish Art Museum, Southampton, NY, Gift of Mrs. Robert Malcolm Littlejohn, Littlejohn Collection
-

- Castle View, 1893
- Drawing
- 6 3/8 x 10 inches
- 1961.3.257
The Parrish Art Museum, Southampton, NY, Gift of Mrs. Robert Malcolm Littlejohn, Littlejohn Collection
-

- Castle Wall, 1892
- Drawing
- 9 7/8 x 12 3/4 inches
- 1961.3.258
The Parrish Art Museum, Southampton, NY, Gift of Mrs. Robert Malcolm Littlejohn, Littlejohn Collection
-

- Easthampton Barrens, 1879
- Etching
- 9 1/2 x 12 3/8 inches
- 1976.1.53
The Parrish Art Museum, Southampton, NY, Gift of Robert Dunnigan, Dunnigan Collection
-

- Evening-Easthampton, 1881
- Etching
- Plate: 7 7/8 x 4 1/2 inches; Sheet: 11 5/8 x 7 5/8 inches
- 1956.47.6
The Parrish Art Museum, Southampton, NY, Gift of Mrs. Robert Malcolm Littlejohn, Littlejohn Collection
-

- Georgica Pond -- Looking Seaward, 1885
- Etching
- Plate: 11 1/2 x 17 3/8 inches; Sheet: 22 x 28 3/16 inches
- 1976.3.5
The Parrish Art Museum, Southampton, NY, Gift of Lewis Adler
-

- Home Sweet Home, 1885
- Etching
- 29 1/8 x 22 inches
- 1976.1.55
The Parrish Art Museum, Southampton, NY, Gift of Robert Dunnigan, Dunnigan Collection
-

- Landscape (Lane Near Fontainebleau) (after Diaz), 1886
- Etching
- 11 7/8 x 15 3/4 inches
- 1976.1.52
The Parrish Art Museum, Southampton, NY, Gift of Robert Dunnigan, Dunnigan Collection
-

- Point Isabel, Florida (The Coast of Florida), 1887
- Etching
- 8 5/16 x 12 3/8 inches
- 1976.1.297
The Parrish Art Museum, Southampton, NY, Gift of Robert Dunnigan, Dunnigan Collection
-

- Rocks and Fence, 1892
- Drawing
- 9 7/8 x 12 7/8 inches
- 1961.3.255
The Parrish Art Museum, Southampton, NY, Gift of Mrs. Robert Malcolm Littlejohn, Littlejohn Collection
-

- Solitude, 1880
- Etching
- 8 x 11 inches
- 1976.1.50
The Parrish Art Museum, Southampton, NY, Gift of Robert Dunnigan, Dunnigan Collection
-

- Summer, Suffolk County New York, 1884
- Etching
- 12 x 9 1/8 inches
- 1976.1.51
The Parrish Art Museum, Southampton, NY, Gift of Robert Dunnigan, Dunnigan Collection
-

- The Bathers (after Thomas Moran), 1886
- Etching
- Plate: 6 7/8 x 5 7/8 inches; Sheet: 12 1/8 x 9 3/8 inches
- 1956.47.3B
The Parrish Art Museum, Southampton, NY, Museum Library Transfer
-

- The Edge of the Forest (In the Woods, Georgica Pond, Lond Island) (after Thomas Moran), 1886
- Etching
- Plate: 8 x 6 7/8 inches; Sheet: 12 1/8 x 9 1/2 inches
- 1956.47.3D
The Parrish Art Museum, Southampton, NY, Museum Library Transfer
-

- The Goose Pond, Easthampton, 1881
- Etching
- Plate: 7 1/8 x 9 inches; Sheet: 8 1/2 x 10 1/8 inches
- 1976.1.57
The Parrish Art Museum, Southampton, NY, Gift of Robert Dunnigan, Dunnigan Collection
-

- The Haunt of the Muskrat (Swamp Grasses - Easthampton), 1884
- Etching
- Plate: 4 7/8 x 11 3/8 inches; Sheet: 11 3/16 x 15 3/16 inches
- 1976.1.58
The Parrish Art Museum, Southampton, NY, Gift of Robert Dunnigan, Dunnigan Collection
-

- Twilight, 1880
- Etching
- 6 1/4 x 8 13/16 inches
- 1976.1.49
The Parrish Art Museum, Southampton, NY, Gift of Robert Dunnigan, Dunnigan Collection
-

- Twilight-Small Plate, 1880
- Etching
- Plate: 3 1/8 x 5 1/2 inches; Sheet: 7 x 8 5/8 inches
- 1956.47.7
The Parrish Art Museum, Southampton, NY, Gift of Mrs. Robert Malcolm Littlejohn, Littlejohn Collection
-

- Wooded Landscape (after Thomas Moran), 1886
- Etching
- Plate: 5 7/8 x 8 inches; Sheet: 9 x 12 inches
- 1956.47.3C
The Parrish Art Museum, Southampton, NY, Museum Library Transfer